The Chinese minority targeted in Indonesia, historically and today – Frank Beyer
The Palace Museum in Yogyakarta, a city on the Indonesian island of Java, is a mixed bag. The gated entrance to the Sultan’s royal palace complex, the Kraton, opens onto a large grass-covered square – a relief from hot, traffic-choked streets. Within, the museum is not very well maintained but has several interesting exhibitions, one being portraits of all the Sultans of Yogyakarta since 1755. The date of birth, length of reign and number of children of each ruler are given – one managed eighty-two offspring. Today’s Sultan, Hamengkubuwono X, gave up the tradition of having concubines and has only one wife and five children.
In contrast to the rundown Palace Museum, a nearby Chinese temple, the Vihara Buddha Prabha, looks like it just received a fresh paint job. The entrance is bright in its yellows, reds and blues – more ostentatious even than similar temples in Taiwan. Inside, there are altars featuring an array of different buddhas and deities (the cast of the Chinese heavens is hard to remember). Adding to the impressive interior are scenes from the Chinese classics painted on the walls.